July 15-23, 2019: Ann and I took a 2200-mile road trip around western Montana that held so many layers of significance it is taking weeks let the heart and soul of our experiences weave into meaning-making. There are moments in this trip I am not ready to share; moments I will probably never have words for, moments that will be transformed into later stories that can only emerge from the perspective of long time. Here is one moment around which my heart swirls:
On the way east, we drove with a small, stainless steel canister containing my father’s ashes riding in the backseat. We were meandering toward the family homestead in Fort Shaw, and the family grave plot at the community cemetery in Sun River, Montana. This grave has been an informal pilgrimage site ever since my grandmother was buried there in 1960, followed by my grandfather in 1970. The headstone is engraved simply: Baldwin.
Over the years the ashes of my Uncle Kenny and Aunt Florence, my Aunt Grace, and now my father, Leo Jr., have been set over the coffins of Leo and Mary. Down the row is my Aunt Dorothy, Uncle Reese, and their son, my cousin Richard. With my father’s death at age 98 last October, and his sister Francie’s death at 103 this past February, all the eight first generation Montanans are now laid to ground. In our family’s sense of collective lineage, this marks the end of something. So seventy-five descendants came to acknowledge this cycle, to walk this valley one more time, to pose in front of the Square Butte that looms over the bee-yards and church steeple that defined us, to tour the honey house now operated by Treasure State Honey, evolving our grandfather’s standards of “pure, raw, unfiltered.”
Sunday morning, July 14, in the midst of our reunion weekend, we all arrive at the cemetery. A new, flat stone marker is set in place. There is a small urn sized hole in the ground. It is sunny, windy, and we are all milling around in a large clump.
My cousin, Bill, calls us together playing the violin that my father gave him as a boy, his first learner instrument. His granddaughters hold the music pages balanced on the tombstone; his six-year-old grand-nephew comes running over, “That’s amazing sound,” Rhys says, “Can I learn to play that?”
“Yes, you can,” he says to the boy. “And so it goes,” he says to me.
I read a Wendell Berry poem. My brother Eric reads some words of his own, and words of our father’s. We sing Kipp Lennon’s song, “Family Tree,” and cry through the lyrics. And then it is time to lay the shiny canister into earth. I set down the old man’s bones. I invite anyone who wishes to step forward and put some dirt in the hole. Who comes first are the children: Leo’s fourth generation of great-grandchildren, great-grandnieces and nephews, little hands solemnly spreading summer-dried soil over their ancestor.
We send silent prayers on the wind. We give thanks.
After folks have drifted off to the brunch awaiting us at the local Methodist church, I sit for a last time with my dad, holding the story I am writing onward, honoring my lineage of Leos, asking forgiveness from the Blackfeet people whose horrific displacement made our placement possible. Morning glory flowers creep through the grass. Bees buzz. There is both blood and bounty on this land. The wind is still blowing. I pray that all may come to healing; that we may cherish what is good, true, and beautiful; that we may find peace in the wildness of things; that we may learn to better love all our relations and the world.
After a few moments I rise and walk into the arms of my grandchildren—where my responsibility lives now. They look thoughtfully into my teary eyes, “You okay, Nina?”
I look thoughtfully into their clear gazes. “I’m okay…” and inside I’m thinking to myself: stay healthy, stay fierce, stay strong, stay one whom they can lean upon.